Fort Apache - 1948
Director: John Ford
Writers: Frank S. Nugent (screenplay), James Warner Bellah
(suggested by the Story ‘Massacre’
Starring: John Wayne, Henry Fonda, and Shirley Temple
Trailer: http://www.imdb.com/title/tt0040369/videogallery?ref_=tt_pv_vi_sm
“Salty, sizzling, visualization of regimental life at a
desert fort, of strong masculine personalities and of raging battles beneath
the withering sun.”
Bosley Crowther, New
York Times
“Fort Apache was the first of Ford’s valentines to the US
cavalry … through which he venerated his own sacred trinity of family,
community and nation”. (Coyne, 60)
John
Ford based his story of, Fort Apache, on
James Warner Bellah’s, Massacre. Bellah’s
story was controversial at the time due to its racism towards the Native
Americans. His own son characterised him as a “fascist, a racist and world
class bigot.” (Scott Eyam). Therefore, screenplay Frank Nugent, adapted the
novel to become more popular within current audiences. The story follows an
honest and veteran war captain, (John Wayne) who arrives home from the Civil
War to a change in his regime. A new Lieutenant Colonel (Henry Fonda) has been
placed in command and he is characterised as young and glory hunting. Most
importantly, he has no respect for the local Indian tribe and the story unfolds.
Fort Apache is a very typical Ford picture. The film’s original budget was $2.8 million and both John
Wayne and Henry Fonda were paid $100,000 each. The
Wild West was established in Hollywood by 1910 and was popular as it was viewed
as nostalgic and a way of life, which could have potentially been lost without
the genre. This allowed John Ford, director, producer and writer to become so
successful with his famous Western movie films that won him six Oscars. Ford
captures all the key ingredients in his movie Fort Apache, with the captivating scenery of the Wild West, a trace
of romance and the Calvary and Indians. The Civil War was still a recent memory
at the time and therefore, Ford captivates his audience by creating tensions
within his viewers as well as in his characters in the story.
Image of: John Wayne, Henry Ford
Interestingly, the story doesn’t focus on the
stereotype aspect of the violent Native Americans but instead on a vengeful
Lieutenant Colonel, blinded through his ignorance. Moreover, Ford uses Native
Americans to play the Native Americans within the film. There is a strong
presence of women within the film. Despite the initial military community
intended, the community spirit functions due to the women within the film. Ford
uses the theme of the importance of women throughout his films.
The cast is impeccable, which adds to reasons to
why the film was and is so popular. John Wayne demonstrates all the positive
qualities needed for being a captain and Henry Fonda portrays his stubborn
character effortlessly through his Colonel rank. Actress Shirley Temple, who
plays Philadelphia, is also recognized for her charming yet defiant character
within the story. It is of particular
interest to note the recognition of the imperialist expansion through her name
‘Philadelphia’ – a city in Pennsylvania, which highlights the importance of
this movement West and how her character portrays the East. As Cawelti implies,
Westerns are often elegies about the end of the West. To those that looked for
an outlook of a Wild Western film, they will have been thrilled, but
furthermore, Ford captures the representation of the Wild West for future
Historians; the dazzling scenery, the music and sounds of the surroundings, but
also captivating life of those who moved on this journey West.
Image of: John Wayne, Henry Ford and Shirley
Temple
The story further continues with Henry Ford’s
character wanting to use his new position in Fort Apache to his advantage. He
lures the Apache chief, Cochise across from the Mexican border against the
advice of others, in attempt to claim the military honor, which he believes
rightfully belongs to him.
The critics used to write this review included
a variety. The New York Times was a
review written from 1948, which is fascinating as it really captures the
response to the film. The writer, Bosley Crowther, opens his review with
“rootin’ tootin’ Wild West show’ a positive reflection on the film. Wild West
films and shows were extremely popular in the East and travelled around the
Country. Jeff Pike’s Movie Fan Fare review
is more recent (2011) and provides a detailed summary of the story as well as
focusing on the characters. Lastly, the website Native American, written by Chris Smallbone presents a few critical
themes.
Sources:
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